Showing posts with label Man Booker Prize. Show all posts
Showing posts with label Man Booker Prize. Show all posts

Wednesday, July 31, 2024

Prophet Song by Paul Lynch

Winner of the 2023 Man Booker Prize, Prophet Song is a dystopian novel set in Dublin in an unspecified time period, but fairly contemporary with its mobile phone technology and vague references to the pandemic. Beginning with the introduction to a fairly typical family, the novel quickly takes the reader on a journey through upheaval and frenzy.

The Stack family consists of  father, Larry, a teacher and head of the teachers' union, Ellish, the mother and microbiologist, and their children, Mark, Molly, Bailey, and Ben. The National Alliance Party (NAP) has seized the government of the country and has virtually stripped its citizens of their liberties. Larry is arrested for his participation in union activities and has not further contact with his family. Ellish is convinced that he will at some point in the near future return home to his family. She works hard at trying to contact him, but to no avail. This leaves her as the head of the family and, as such, she does her best in keeping things as normal as possible for her children. As news of her husband's arrest becomes known, Ellish loses her job as well. 

With tensions at a breaking point, war eventually breaks out between the state and rebels. Mark is drafted by the army, but joins up with the rebel forces. With airstrikes and government checkpoints the Stack home is in the midst of the conflict. Her sister, Áine, reaches out and tries to convince her to leave Dublin, but she does not want to leave feeling that it will resolve and Larry and Mark will be found. When Bailey is wounded, Ellish begins to reconsider her choice. 

As most dystopian novels, Prophet Song is most disturbing. It is not hard to envision a political party coming to power that is intent on doing away with civil liberties, eg the tenets of Project 2025. This theme resonated for me as I read the book. As the government expands its power, the citizens lose power over their lives. It is not hard to comprehend this as we watch freedom and autonomy being stripped from many citizens today. 

A powerful read that is a cautionary tale of a spiral into darkness if a citizenry is complicit and silent. 
 

Monday, January 24, 2022

Shuggie Bain by Douglas Stuart

Shuggie Bain is a novel that embodies every superlative that one could imagine. It is the most heart-wrenching, well written, and exemplary of the most well developed characters. I would defy anyone not to become emotionally involved with the titular character. 

Set in Glasgow, Scotland in the 1980s, the novel is a strong and emotional depiction a dysfunctional family, not necessarily completely through their fault, but as also as a result of societal and economic issues. The reader first meets Shuggie as a young man working in a neighborhood market. He has recently moved into a rooming house on his own despite his young age. After a brief introduction, the novel shifts to the young Shuggie and his early family life in the Bain household. Agnes Bain, Shuggie's mother, an alcoholic, trying to raise 3 children, Catherine, Leek, and Shuggie, on her own with little help from her philandering husband, Shug, a taxi driver. It is not a pretty or calm life with fires being set, attempted suicides, and the struggles of the family trying to coexist in the same small dwelling with Agnes' parents.

From the time he is a little boy, Shuggie has struggled with the idea that he is somehow "not right." He plays with dolls, but they are really beer cans with suggestive pictures of women on them. His father thinks he is enjoying their provocativeness, but Agnes knows different. The family moves out Shug setting them up into council housing and then letting the shoe drop that he is not joining them. From there it is a spiral downward and the reader tries to catch a breath or two as Shuggie grows up, ever devoted to his mother as he watches her try to get on the right track, but always falling short. Catherine moves out and it is Leek who tries to keep Shuggie safe. 

Beneath all the emotional pulls of the story is a strong political and religious undertone. It is a condemnation of Thatcherism and the closing of the mines in Glasgow which leaves a great portion of the citizens without work and trying to escape poverty. They know how to circumvent the television and electric meters in which they need to deposit a fee to have a show to watch and heat in their homes. There is also the Catholic vs. Protestantism animosities that plays out in Agnes' family. In the eyes of her parents she should have stayed married to the Catholic (who fathered Catherine and Leek) instead of Shug who was Protestant. 

It was a compelling lecture that Douglas Stuart delivered to the audience of the Pittsburgh Arts and Lectures subscribers. He disavowed the autobiographical connection to the life that Shuggie Bain lived, but there were some very profound similarities. He was absolutely one of the best lecturers we have heard. Shuggie Bain is not an easy book to read, but a must one for an understanding of the human condition and the struggles of so many.  As Stuart said in his lecture, there is hope for Shuggie and for our society.

 


Sunday, June 21, 2020

The Testaments by Margaret Atwood with a reread of The Handmaid's Tale

With some time created by sheltering at home, I picked up The Testaments finally to read. After about a chapter, I realized that since it had been eons since I had read The Handmaid's Tale, that I had better reread it. It is very enlightening to revisit an incredible book that was written in 1985. My first read was a result of a wonderful woman and mentor giving it to the members of a pastoral nominating committee for a church in our previous hometown. She insisted that, before we make a decision, that all read it. This was very difficult for some of the men on the committee, but since they respected her, the did it. Needless to say, it made for some heated conversation and debate over the roles women played in the world. The Handmaid's Tale (THT) is a dystopian novel that takes place in Gilead where the women are subjugated to men in a patriarchal society. The ending, "Historical Notes,"  leaves the reader in the air as to what really happened to the protagonist of the story, Offred. For many years, Atwood had been urged by her fans to write a sequel to the novel. She resisted for thirty-four until she wrote and published The Testaments. 

Set in Gilead fifteen years after The Handmaid's Tale, the novel is narrated by three females: Aunt Lydia, who was one of the most powerful and cruel of the Aunts from THT, Daisy, a young girl living in Canada, and Agnes, a child who has grown up in Gilead. Through their eyes the reader gains insight into the workings of Mayday, a resistance movement against Gilead, The Eyes, and the Pearl Sisters. Aunt Lydia hints at a movement to overthrow the Gilead regime as she writes her memoirs as the Arudua Hall holograph. 

Meanwhile, Daisy relates her story as a "witness" testimony. Her parents, Melanie and Neil, who we come to find out are adoptive parents, are killed in an explosion at their business. Daisy is taken in by Ada, who works for Mayday. She learns her true identity and is "returned" to Gilead and assumes the name Jade, a young woman, who will be trained to be an Aunt and critical to the coup that is being planned. 

Agnes has spent her life in Gilead, raised in an elite family, by her mother, Tabitha, and father Commander Kyle. After her mother dies, her father remarries Paula, the so epitome of the wicked step-mother. She is promised to be wed to a notorious Commander Judd, but convinces Aunt Lydia that this is not in her best interest to wed. 

The story that is told by these three narrators reveals more about the horrors of a society that has subjugated women to mere handmaids. However, the most frightening thought, as in THT, is that one sees it in our own society. Reading it, I sent many quotes to my daughter, who is an Atwood devotee and scholar. Have we not in thirty-five years grown to dispel so much of the prevailing Gilead philosophy? NO, we haven't!
We were custodians of an invaluable treasure that existed, unseen, inside us; we were precious flowers that had to be kept safely inside glass houses, or else we would be ambushed and our petals would be torn off and our treasure would be stolen and we would be ripped apart and trampled by the ravenous men who might lurk around any corner, out there in the wide sharp-edged sin-ridden world.
Women have more value than just their bodies and this indoctrination is merely a scare tactic.  
Would you like someone at our Calm and Balm clinic to consult?" Perhaps not just yet," he said. "Most likely it is imaginary, as so many of these female complaints prove to be."
How many women deal with this on a day-to-day basis? And this
It was always a cruelty to promise them equality...Simply by their nature they can never achieve it. We have already begun the merciful task of lowering their expectations.  
 Finally, as in The Handmaid's Tale, "The Thirteenth Symposium," sheds light on the fate of Gilead, Aunt Lydia, Offred, and the realization that the narrators of the historical documents are taken seriously. 
 
Atwood is a master of prose, thought, and insight into our society. She has written, what seemed to a fact thirty-four years ago and what we are seeing as a reality today - the sexual assault of women. Her writing is eloquent and elegant and The Testaments, as The Handmaid's Tale will be worth a reread in the not so distant future. WOW!!